{"id":30096,"date":"2026-09-10T07:40:40","date_gmt":"2026-09-10T05:40:40","guid":{"rendered":"https:\/\/serwer2650909.hosting-home.pl\/autoinstalator\/wordpressplugins\/?page_id=30096"},"modified":"2026-10-08T10:55:54","modified_gmt":"2026-10-08T08:55:54","slug":"about","status":"publish","type":"page","link":"https:\/\/ewawes.com\/pl\/about\/","title":{"rendered":"about"},"content":{"rendered":"<div data-elementor-type=\"wp-post\" data-elementor-id=\"30096\" class=\"elementor elementor-30096\">\n\t\t\t\t\t\t<section class=\"elementor-section elementor-top-section elementor-element elementor-element-8614b75 elementor-section-full_width elementor-section-height-default elementor-section-height-default neuron-fixed-no\" data-id=\"8614b75\" data-element_type=\"section\" data-e-type=\"section\">\n\t\t\t\t\t\t<div class=\"elementor-container elementor-column-gap-default\">\n\t\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-922fc2b elementor-invisible\" data-id=\"922fc2b\" data-element_type=\"column\" data-e-type=\"column\" data-settings=\"{&quot;animation&quot;:&quot;fadeInLeft&quot;}\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-78062d2 elementor-widget-divider--view-line elementor-widget elementor-widget-divider\" data-id=\"78062d2\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"divider.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-divider\">\n\t\t\t<span class=\"elementor-divider-separator\">\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t<div class=\"elementor-column elementor-col-50 elementor-top-column elementor-element elementor-element-4df8555\" data-id=\"4df8555\" data-element_type=\"column\" data-e-type=\"column\">\n\t\t\t<div class=\"elementor-widget-wrap elementor-element-populated\">\n\t\t\t\t\t\t<div class=\"elementor-element elementor-element-7887088a elementor-widget elementor-widget-text-editor\" data-id=\"7887088a\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"text-editor.default\">\n\t\t\t\t\t\t\t\t\t<p>Pracuj\u0105c z obiektem, przestrzeni\u0105 i tkank\u0105 miejsk\u0105,  Ewa Wes tworzy system zapis\u00f3w, w kt\u00f3rym niewidzialne procesy zostaj\u0105 wpisane w materi\u0119 i udost\u0119pnione do\u015bwiadczeniu. Jej praktyka koncentruje si\u0119 na zapisie \u015blad\u00f3w proces\u00f3w, kt\u00f3re pozostaj\u0105 poza bezpo\u015bredni\u0105 percepcj\u0105. Punktem wyj\u015bcia dla jej prac s\u0105 obrazy z komory mg\u0142owej Wilsona oraz inne wizualne rejestracje zjawisk fizycznych, dokumentuj\u0105ce procesy niedost\u0119pne ludzkiemu do\u015bwiadczeniu. Zapisy te podlegaj\u0105 odwzorowaniu, przeskalowaniu i translacji pomi\u0119dzy r\u00f3\u017cnymi mediami, staj\u0105c si\u0119 podstaw\u0105 rze\u017ab, obiekt\u00f3w, instalacji i interwencji w przestrzeni publicznej.<\/p><p>Centralne miejsce w jej praktyce zajmuj\u0105 zagadnienia czasu, przestrzeni, percepcji i pami\u0119ci, rozumianej jako forma przechowywania \u015blad\u00f3w oraz proces ich nieustannego przekszta\u0142cania. Poszczeg\u00f3lne realizacje \u0142\u0105cz\u0105 zjawiska zachodz\u0105ce w odmiennych skalach czasowych, od trajektorii cz\u0105stek elementarnych rejestrowanych w u\u0142amkach sekund po procesy geologiczne odpowiedzialne za powstanie materia\u0142\u00f3w wykorzystywanych w pracy. Tym samym chwilowe zjawiska zestawiane s\u0105 z procesami trwaj\u0105cymi tysi\u0105ce i miliony lat. Interesuje j\u0105 napi\u0119cie pomi\u0119dzy zapisem a nieobecno\u015bci\u0105, poniewa\u017c ka\u017cda rejestracja ujawnia zarazem to, co utrwalone, jak i to, co nieodwracalnie utracone. \u015alad nie przywraca zdarzenia ani obecno\u015bci, lecz wskazuje na ich brak, czyni\u0105c go materialnie odczuwalnym.<\/p><p>Ewa Wes traktuje rze\u017ab\u0119 nie jako autonomiczny obiekt, lecz jako element uk\u0142adu przestrzennego aktywowanego przez ruch cia\u0142a. Jej instalacje powstaj\u0105 w oparciu o seryjno\u015b\u0107, sekwencyjno\u015b\u0107, powt\u00f3rzenie i relacje pomi\u0119dzy obiektami. Znaczenie nie jest zawarte w pojedynczej formie, lecz ujawnia si\u0119 poprzez przemieszczanie si\u0119 pomi\u0119dzy elementami oraz do\u015bwiadczenie negatywnej przestrzeni \u201epomi\u0119dzy\u201d, rytmu i sekwencji.<\/p><p>My\u015blenie o przestrzeni wyrasta tu z wieloletnich bada\u0144 nad postminimalizmem, do\u015bwiadczeniem ruchu oraz relacj\u0105 pomi\u0119dzy obiektem a jego otoczeniem. Istotne pozostaje napi\u0119cie pomi\u0119dzy poczuciem ca\u0142o\u015bci a zachowaniem \u015blad\u00f3w procesu, gestu i obecno\u015bci. Powtarzalno\u015b\u0107 nie prowadzi tu do ujednolicenia form, lecz buduje sp\u00f3jno\u015b\u0107 uk\u0142adu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-dcf5ef5 elementor-hidden-mobile elementor-widget elementor-widget-spacer\" data-id=\"dcf5ef5\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"spacer.default\">\n\t\t\t\t\t\t\t<div class=\"elementor-spacer\">\n\t\t\t<div class=\"elementor-spacer-inner\"><\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"<p>Ewa Wes\u2019s practice focuses on methods of recording ephemeral processes that remain beyond direct perception. The point of&#8230;<\/p>","protected":false},"author":1,"featured_media":30796,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"rs_blank_template":"","rs_page_bg_color":"","slide_template_v7":"","footnotes":""},"class_list":["post-30096","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Ewa Wes \u2013 artist practice<\/title>\n<meta name=\"description\" content=\"Ewa Wes is a visual artist and sculptor. Her practice focuses on sculpture and installation, investigating how invisible forces become perceptible through matter, inscription, and spatial experience.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ewawes.com\/pl\/about\/\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ewa Wes \u2013 artist practice\" \/>\n<meta property=\"og:description\" content=\"Ewa Wes is a visual artist and sculptor. 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Her practice focuses on sculpture and installation, investigating how invisible forces become perceptible through matter, inscription, and spatial experience. Working with objects, installations, two-dimensional works, and interventions in public space, she develops systems based on registration, repetition, seriality, and spatial relations. Across sculpture, installation, public-space works, and two-dimensional works, Ewa Wes develops a continuous body of work concerned with inscription, memory, duration, and the perception of spatial relations. Her installations are composed of multiple elements in which meaning emerges through the relation between objects and through the movement of the viewer in space. Her two-dimensional works extend the same logic of registration into a flat format, while her public-space interventions introduce durable objects and inscriptions into existing urban, architectural, and landscape contexts. In 2022, Ewa Wes realized Liminality, a permanent public artwork at Oawa Mountain in Kamiyama, Tokushima, Japan. Situated in the forest, the work was conceived as a place without a predetermined function or meaning. Consisting of a concrete platform, a stone surface, a bench, and carving tools available to visitors, it remains open to the gradual accumulation of traces produced through repeated encounters. Ewa Wes has exhibited internationally and has participated in exhibitions, residencies, and research programmes in Europe, the United States, and Japan. Ewa Wes received an MFA in Sculpture from the Jan Matejko Academy of Fine Arts in Krak\u00f3w in 2007. In 2022, she completed a PhD in Arts and Conservation of Works of Art at the same institution. Her doctoral research examined the relationship between art and science, focusing on historical changes in the understanding and representation of time and space before and after the formulation of the theory of relativity. 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