EWA WES

Basalt sculpture by Ewa Wes engraved with subatomic particle traces, series 9192631770
Ewa Wes, 9192631770, basalt sculpture
Basalt sculpture from the series 9192631770 by Ewa Wes, engraved with traces derived from images of a Wilson cloud chamber.
Basalt sculpture by Ewa Wes, series 9192631770
Ewa Wes — basalt sculpture, 9192631770
Sculptural work by Ewa Wes made of basalt, engraved and filled with pigment and resin, part of the series 9192631770.
Ewa Wes stone sculptures engraved in basalt, 9192631770
Ewa Wes — stone sculptures, 9192631770
Stone sculptures by Ewa Wes engraved with particle traces derived from Wilson cloud chamber images, series 9192631770.
Ewa Wes sculptural series 9192631770 basalt work
Ewa Wes — sculptural series 9192631770
Basalt sculptures by Ewa Wes, part of the sculptural series 9192631770 based on cloud chamber recordings.
Ewa Wes basalt sculpture series with engraved traces, 9192631770
Ewa Wes — basalt sculptures with engraved traces
Basalt sculptures by Ewa Wes with precisely engraved traces derived from images of a Wilson cloud chamber.
Sculptural work by Ewa Wes in basalt, 9192631770
Ewa Wes — 9192631770 sculptural work
Sculptural work by Ewa Wes in basalt, engraved and filled with pigment and resin, from the series 9192631770.
Contemporary basalt sculpture by Ewa Wes, 9192631770
Ewa Wes — contemporary basalt sculpture
Contemporary basalt sculpture by Ewa Wes from the series 9192631770, based on cloud chamber imagery.
Ewa Wes sculpture in basalt, series 9192631770
Ewa Wes — sculptures in basalt, 9192631770
Basalt sculptures by Ewa Wes engraved through sandblasting and manual carving, series 9192631770.
Engraved basalt sculpture by Ewa Wes, 9192631770
Ewa Wes — engraved basalt sculpture
Engraved basalt sculpture by Ewa Wes with traces derived from Wilson cloud chamber images.
Ewa Wes sculptural object in basalt, 9192631770
Ewa Wes — sculptural object, 9192631770
Sculptural object by Ewa Wes in basalt, produced through engraving, pigment filling, and resin sealing.
Detail of sculpture by Ewa Wes from the series 9192631770
Ewa Wes — sculpture from 9192631770
Close-up detail of a Sculpture by Ewa Wes in basalt, part of the series 9192631770 based on cloud chamber recordings.
Ewa Wes basalt sculpture cloud chamber series 9192631770
Ewa Wes — basalt sculpture, cloud chamber series
Basalt sculpture by Ewa Wes engraved with traces derived from images of a Wilson cloud chamb
Ewa Wes stone sculpture cloud chamber traces, 9192631770
Ewa Wes — stone sculpture, cloud chamber traces
Stone sculpture by Ewa Wes engraved with traces derived from Wilson cloud chamber images, series 9192631770.
Detail of Ewa Wes engraved basalt sculpture, 9192631770
Ewa Wes — basalt sculpture, engraved - detail
Close-up of basalt sculpture by Ewa Wes produced through precise engraving and pigment filling, series 9192631770.

9192631770

The series consists of basalt sculptures engraved with traces taken from images of a Wilson cloud chamber. The cloud chamber is used as an observational device in which the trajectories of subatomic particles become visible. On each piece fragments selected from these images are corresponding to one second of recorded particle movement. Each basalt element contains inscriptions derived exclusively from that single second.

The selected traces are transferred onto basalt using sandblasting and then engraved by hand with high precision. The incisions are filled with pigment and sealed with resin, stabilizing the engraved lines as permanent material traces.

Each sculpture functions as an individual record produced through the same procedure. The works are conceived as a series: single elements remain partial, while the repetition of precisely engraved records establishes the work as a structured set of inscriptions fixed in stone.

Series of sculptures

Basalt 0,9 – 1,7m

4th Cracow Artistic Meetings 2025

9192631770

Series of sculptures

4th Cracow Artistic Meetings 2025

Basalt 0,9 – 1,7m

The series consists of basalt sculptures engraved with traces taken from images of a Wilson cloud chamber. The cloud chamber is used as an observational device in which the trajectories of subatomic particles become visible. On each piece fragments selected from these images are corresponding to one second of recorded particle movement. Each basalt element contains inscriptions derived exclusively from that single second.

The selected traces are transferred onto basalt using sandblasting and then engraved by hand with high precision. The incisions are filled with pigment and sealed with resin, stabilizing the engraved lines as permanent material traces.

Each sculpture functions as an individual record produced through the same procedure. The works are conceived as a series: single elements remain partial, while the repetition of precisely engraved records establishes the work as a structured set of inscriptions fixed in stone.