Primes
PRIMES is an installation composed of four circular granite elements arranged as one continuous spatial configuration spanning the gallery interior and the Japanese garden in front of the museum. Each element measures between 1.1 and 1.3 m in diameter. Two granite objects are placed inside the gallery; two are positioned in the garden. Their placement allows all four to remain simultaneously visible, binding interior and exterior into a single field structured through repetition and alignment.
Two interior elements carry mapped video projections derived from recordings of a Wilson cloud chamber. The projections register particle trajectories directly onto the stone surfaces, merging time-based optical records with the material trace of stone. The exterior elements repeat the same form without projection, functioning as corresponding material records exposed to environmental duration.
PRIMES operates as a system of inscriptions distributed across space. Related forms recur across the site, holding together multiple registers of record within one ordered structure. The work is constituted through seriality, spatial relation, and continuity across interior and exterior space.
Installation
4 granite circles ⌀ 1,1 – 1,3m
2 mapped video projections
fot. A.Gołyźniak
Primes
Installation
4 granite circles ⌀ 1,1 – 1,3m
2 mapped video projections
fot. A.Gołyźniak
PRIMES is an installation composed of four circular granite elements arranged as one continuous spatial configuration spanning the gallery interior and the Japanese garden in front of the museum. Each element measures between 1.1 and 1.3 m in diameter. Two granite objects are placed inside the gallery; two are positioned in the garden. Their placement allows all four to remain simultaneously visible, binding interior and exterior into a single field structured through repetition and alignment.
Two interior elements carry mapped video projections derived from recordings of a Wilson cloud chamber. The projections register particle trajectories directly onto the stone surfaces, merging time-based optical records with the material trace of stone. The exterior elements repeat the same form without projection, functioning as corresponding material records exposed to environmental duration.
PRIMES operates as a system of inscriptions distributed across space. Related forms recur across the site, holding together multiple registers of record within one ordered structure. The work is constituted through seriality, spatial relation, and continuity across interior and exterior space.